Welcome to The Lemont Block Collective
150 Maine Street, Brunswick, Maine 04011
Monday-Saturday 10-5 * Sunday 11-4
May we Introduce --
Ania Davis (Epoca)
Ania Davis (Epoca)
Ania Davis (Epoca)
Belfast
“There is Beauty in Simplicity.
I design jewelry out of passion for the natural beauty of Baltic amber. All amber gems are hand polished and accompanied by the subtle presence of sterling and 22k gold."
Mary Alice Treworgy
Ania Davis (Epoca)
Ania Davis (Epoca)
Brunswick
"I want to define the architectural and figural landscape with geometry, subtle values, sometimes idiosyncratic colors, and by flattening the picture plane. These images are identifiable, but leave out the prosaic, trite and clichéd...Sometimes a wry sense of humor is present, sometimes privacy, sometimes serenity, but always emotion and deep feeling."
Mary McKone
Ania Davis (Epoca)
Mary McKone
Georgetown
"My work often reflects my life in the woods on the coast of Maine. I’m inspired by the controlled chaos of the natural world: movement in the air, on the ground and in the water. I seek to find and capture nostalgia and humor in both the natural and human worlds. And I love making pots that people can use every day with a smile! "
Ken Wise
Catherine Worthington
Mary McKone
Brunswick
Ken Wise has been carving spoons, turning bowls and making Wildlife Art in Mid-Coast Maine for many years. He enjoys sharing the fun and challenges of working with wood through classes and private instruction. Ken can typically be found at Lemont Thursdays from 1:30 to 5:00pm.
Catherine Worthington
Catherine Worthington
Catherine Worthington
Brunswick
"As I explore the medium of textile painting I am often discovering the balance between abstraction and representation. I love the colors, patterns and textures in the landscape and strive to capture it’s essence as I paint, creating a rich surface. My process of cutting, piecing and stitching adds abstraction,depth and dimensio
Brunswick
"As I explore the medium of textile painting I am often discovering the balance between abstraction and representation. I love the colors, patterns and textures in the landscape and strive to capture it’s essence as I paint, creating a rich surface. My process of cutting, piecing and stitching adds abstraction,depth and dimension. My textile art quilts are interpretations of real places and I hope to capture the attention of the viewer by creating a feeling or familiar place to connect with."
Deborah J. Ripley
Catherine Worthington
Catherine Worthington
Topsham
Deborah's ultimate desire is for the viewer to feel joy from her stained glass creations. She believes art is magic for both the artist creating it and for the admirer seeing it. She most often works with abstract shapes, merging intention with serendipity, with playful and eye-catching results. Sometimes, though, a project comes a
Topsham
Deborah's ultimate desire is for the viewer to feel joy from her stained glass creations. She believes art is magic for both the artist creating it and for the admirer seeing it. She most often works with abstract shapes, merging intention with serendipity, with playful and eye-catching results. Sometimes, though, a project comes along with such active, graceful curves, it can't be resisted!
Beth Thompson
Beth Thompson
Beth Thompson
Brunswick
My jewelry creations are inspired by the natural world around me here on the beautiful coast of Maine. I hope to bring delight to each person who wears my jewelry.
My passion for working with silver started 7 years ago with a class at Maine College of Art. I have been working hard at developing the skills of soldering, annealing
Brunswick
My jewelry creations are inspired by the natural world around me here on the beautiful coast of Maine. I hope to bring delight to each person who wears my jewelry.
My passion for working with silver started 7 years ago with a class at Maine College of Art. I have been working hard at developing the skills of soldering, annealing and hammering silver ever since! Many of my pieces feature the technique of fold-forming which involves heating the silver to make it pliable enough to be folded, then shaping, reheating, and unfolding. I use finely polished hammers to apply texture to the surface of the metal to imitate the shimmering light on the ocean, the subtle veins of a leaf, or the textures of a flower. The tiny snips and scraps from the metalworking process are heated with a torch, hammered, and polished, to create recycled solid silver pebbles which become yet other jewelry pieces. Freshwater pearls, seaglass, and semiprecious stones accent my work.
Nicole Sorum
Beth Thompson
Beth Thompson
Buxton
Nicole is a life-long, self-taught artist. After taking a break for marriage, kids and work, she returned to art in earnest in 2016. She works with waterfronts, country landscapes, nature ... and the occasional penguin. In recent months Nicole's been inspired to direct her skills in an abstract direction as well -- her range is on display at The Collective
Deb Kashdan
Beth Thompson
Lauren B. Doran
Brunswick
For the past few years I have divided my time between Florida and Maine. Having started silversmithing and lapidary work in about 2011 after a long medical career, I now have 2 studios. While in Maine I am inspired by the natural beauty of the area and have been creating botanically themed pieces in addition to my other hand f
Brunswick
For the past few years I have divided my time between Florida and Maine. Having started silversmithing and lapidary work in about 2011 after a long medical career, I now have 2 studios. While in Maine I am inspired by the natural beauty of the area and have been creating botanically themed pieces in addition to my other hand fabricated work. I like to incorporate stones, some of which I have cut myself. Although I may not be physically present during part of the year, my work will be available through the Lemont Block Collective, and I am happy to collaborate with you to design custom pieces.
Lauren B. Doran
Lauren B. Doran
Lauren B. Doran
Topsham
"The power of brilliant colors and the magic that occurs during the felting process makes beautiful art. Lambs wool, recycled sari silk, embroidery and stitching are the building blocks. Water, soap, hand rolling and rubbing transform the materials. It is a pleasure to bring this visually stunning art to life."
Pam Shockey
Lauren B. Doran
Joanna Morris
North Yarmouth
I find endless inspiration in all that nature has to offer in Maine. My paintings record passages in time, while examining how sunlight illuminates the landscape. Maine's varied scenery is brought into focus by intensifying the natural colors and using bold brush strokes in my work.
This diverse landscape begs to be captured
North Yarmouth
I find endless inspiration in all that nature has to offer in Maine. My paintings record passages in time, while examining how sunlight illuminates the landscape. Maine's varied scenery is brought into focus by intensifying the natural colors and using bold brush strokes in my work.
This diverse landscape begs to be captured, and highlights Maine's undeniable beauty. I also enjoy painting still life subjects that embody quintessential coastal Maine. Typically, these objects are found on my daily excursions. My intention is to provoke fond memories of the viewer’s past where the landscape or still life connects them to a time and place they hold dear to their heart.
Joanna Morris
Lauren B. Doran
Joanna Morris
Yarmouth
Joanna Morris (aka JoMo Pottery) is a ceramic artist based in Yarmouth, Maine. Working from her home studio, she creates pieces primarily from stoneware clay fired in an electric kiln. Her wheel thrown functional pieces are durable and feature clean lines and colors ranging from earth tones to deep jewel shades. Her whimsical ha
Yarmouth
Joanna Morris (aka JoMo Pottery) is a ceramic artist based in Yarmouth, Maine. Working from her home studio, she creates pieces primarily from stoneware clay fired in an electric kiln. Her wheel thrown functional pieces are durable and feature clean lines and colors ranging from earth tones to deep jewel shades. Her whimsical hand-built ornamental pieces are inspired by the shapes and colors of Maine’s wild places, plants and creatures.
Chris Toy
Cinnamon Brulee
Jonathan Lavan
Bath
Many will know Chris as an accomplished chef and cooking instructor, or perhaps as an international educational consultant, or as a Registered Maine Guide. Fewer are familiar with his tea lights, driftwood sculptures, and shore-themed mobiles and stabiles (tables-standing mobiles). These delicate and mesmerizing works, made of drift
Bath
Many will know Chris as an accomplished chef and cooking instructor, or perhaps as an international educational consultant, or as a Registered Maine Guide. Fewer are familiar with his tea lights, driftwood sculptures, and shore-themed mobiles and stabiles (tables-standing mobiles). These delicate and mesmerizing works, made of driftwood, shells and other found materials, are contemplative, and beautiful -- and popular items here at the Collective. Chris also offers several of his cookbooks here. All are signed and if you come by when Chris is working at the Collective he will gladly personalize them for you!
Jonathan Lavan
Cinnamon Brulee
Jonathan Lavan
West Bath
Jonathan Lavan, a self-employed Underwater Diving and Nature Photographer, is a naturalist, “citizen” scientist, and a wildlife expert. He leads diving and photography trips all over the world. Mr. Lavan’s artwork is also shown in other galleries including Los Angeles, San Diego, Chicago, and Barcelona. He is a staunch environmen
West Bath
Jonathan Lavan, a self-employed Underwater Diving and Nature Photographer, is a naturalist, “citizen” scientist, and a wildlife expert. He leads diving and photography trips all over the world. Mr. Lavan’s artwork is also shown in other galleries including Los Angeles, San Diego, Chicago, and Barcelona. He is a staunch environmentalist and often educates young people in Maine regarding environmental topics. He is committed to and passionate about making a difference in the world. He hopes through his artwork, both underwater and above, he sends a message of goodwill to all creatures.
Cinnamon Brulee
Cinnamon Brulee
Cinnamon Brulee
Portland
Artist Cinnamon Brûlée harnesses the power of flame to craft captivating pieces that embody resilience and innovation. Mx. Brûlée blends the ancient art of Yakisugi with modern creative expression to bring you a transformative experience like no other. Through this captivating process, Mx. Brûlée unlocks the potential of wood, cr
Portland
Artist Cinnamon Brûlée harnesses the power of flame to craft captivating pieces that embody resilience and innovation. Mx. Brûlée blends the ancient art of Yakisugi with modern creative expression to bring you a transformative experience like no other. Through this captivating process, Mx. Brûlée unlocks the potential of wood, crafting protective layers of carbon and turning nature's elements into works of art. Join us on a journey of self-discovery, where the alchemy of fire meets the canvas of your soul, and emerge with a profound connection to your inner core.
Abigail Putnam
Antiquities Refuge League
Cinnamon Brulee
Brunswick
Abby's fish are decorative, whimsical, and biologically accurate. Working in her father's Brunswick woodshop, Abby selects a species and fires up the scroll saw, reproducing each dorsal and every caudal. "I had no idea until I began how many trout species there are, even here in the U.S.. Most of them are gorgeous!" Of course,
Brunswick
Abby's fish are decorative, whimsical, and biologically accurate. Working in her father's Brunswick woodshop, Abby selects a species and fires up the scroll saw, reproducing each dorsal and every caudal. "I had no idea until I began how many trout species there are, even here in the U.S.. Most of them are gorgeous!" Of course, the experienced eye will note not all Abby's fish are trout -- because all good artists stretch and experiment from time to time...
Antiquities Refuge League
Antiquities Refuge League
Antiquities Refuge League
Freeport
In addition to supplying most of the furniture in the gallery, "ARL" occupies the basement of The Lemont Block Collective, where you'll find much more furniture, barware, used records, lamps, mirrors, rugs and great collectibles. Throwing a party? Come by for vintage glassware, or silverware. Updating a home or camp? Come by for
Freeport
In addition to supplying most of the furniture in the gallery, "ARL" occupies the basement of The Lemont Block Collective, where you'll find much more furniture, barware, used records, lamps, mirrors, rugs and great collectibles. Throwing a party? Come by for vintage glassware, or silverware. Updating a home or camp? Come by for an antique desk, a solid set of kitchen chairs, a trunk, or a bureau.
Be sure to visit our website, by clicking the image above!
Janet Lang
Antiquities Refuge League
Antiquities Refuge League
Brunswick
Artistic Tins were born from an idea I had over 20 years ago. They have morphed throughout the years into a form of changeable artwork that speaks to my thirst for expression, variation, and innovation.
The original photographs and pastel paintings are inspired by the rich and diverse mural, that is Maine. I find the challenging
Brunswick
Artistic Tins were born from an idea I had over 20 years ago. They have morphed throughout the years into a form of changeable artwork that speaks to my thirst for expression, variation, and innovation.
The original photographs and pastel paintings are inspired by the rich and diverse mural, that is Maine. I find the challenging medium of pastels to be a perfect reflection for the eclectic series of contradictions our state embodies. I continue to explore and evolve as an artist and find great joy in the process.
Rita Steinbach
Rita Steinbach
Rita Steinbach
Portland
Rita has been weaving for 35 years, and she is always searching for the perfect combination of color, texture and structure. She blends fibers, including yarns from Maine, to give her designs a richness and elegant drape. Hand painting the yarn brings an element of variety and surprise. Whether weaving a wearable scarf or shawl
Portland
Rita has been weaving for 35 years, and she is always searching for the perfect combination of color, texture and structure. She blends fibers, including yarns from Maine, to give her designs a richness and elegant drape. Hand painting the yarn brings an element of variety and surprise. Whether weaving a wearable scarf or shawl or something for the home, Rita enjoys setting up a warp on her loom, while listening to the blues.
Sally Hipsher
Rita Steinbach
Rita Steinbach
Brunswick
Retired OR nurse Sally Hipsher bases her work on floral paintings done by Middy Thomas. Middy is not only a well-known local artist but also Sally's mom -- and they make a great team. Sally has the paintings printed on high quality cotton-linen. Then she free-motion quilts each one and adds a zippered back. Each pillow is washab
Brunswick
Retired OR nurse Sally Hipsher bases her work on floral paintings done by Middy Thomas. Middy is not only a well-known local artist but also Sally's mom -- and they make a great team. Sally has the paintings printed on high quality cotton-linen. Then she free-motion quilts each one and adds a zippered back. Each pillow is washable, completely unique, and the work of four skilled hands. Sally and Middy also collaborate on dishtowels, placemats and table runners, all of which are available at the Collective.
Rick Stark
Rita Steinbach
Rick Stark
Portland
Rick Stark uses reclaimed gold, silver, and copper and employs a variety of stamping, texturing, fabrication, stone setting and casting techniques inspired by natural forms and sacred geometries.
Rick came to metal-smithing after experiences in woodworking and black-smithing at the Haystack Mountain School of Craft, the Center for
Portland
Rick Stark uses reclaimed gold, silver, and copper and employs a variety of stamping, texturing, fabrication, stone setting and casting techniques inspired by natural forms and sacred geometries.
Rick came to metal-smithing after experiences in woodworking and black-smithing at the Haystack Mountain School of Craft, the Center for Furniture Craftsmanship, and the Wooden Boat School.
Rick teaches introductory and specialty classes to aspiring metal-smiths at Artascope Studios in Yarmouth, Maine and academic students at the Maine College of Art & Design in Portland, Maine.